The Healing Forces of Harmonic Sounds and Vibrations

Science has recognized that everything that moves and vibrates from the sub-atom, atom to the smallest molecule present in the universe produce some kind of sound.
The Universe is a vast musical instrument that is in constant state of vibration.

Harmonic Sounds and vibrations are tools for a transformation that creates and arrange realities. The Masaru Emoto Institute were able to take pictures of some beautiful crystal patterns after subjecting distilled water to the sounds of "The Power of Harmonic Sound and Vibrations", ( an 8 track CD see link at bottom)

At the Masaru Emoto laboratory they have been freezing various kinds of water and observing their crystals.

First Chakra: MULADHARA

Musical Tone of C

1. Root Chakra.
Musical Tone "C" (DO) 396Mh = 9
Color: Red
Element: Earth.
Base of the Spine - Energizes the whole physical body and affects general physical vitality and needs.

Second Chakra : Svadhistana

Musical Tone of D

2. Reproductive or Sex Chakra.
Musical Tone "D" (Re) 417Mh = 3
Color: Orange,
Element: Water.
Sexual Organs; Bladder and legs. Lower or Physical Creative Centre, Sexuality and Emotions.

Third Chakra: MANIPURA

Musical Tone of E

3. Solar Plexus Chakra.
Musical Tone "E" (Mi) 528Mh = 6
Color: Yellow,
Element: Fire.
Diaphragm: pancreas, liver, stomach, large and small intestines and other internal organs.
Acts as an Energy Clearing House Centre, Power and Vitality.

Fourth Chakra: ANAHATA

Musical Tone of F

4. Heart Chakra.
Musical Tone "F" (Fa) 639Mh = 9
Color: Emerald Green,
Element: Air.
Center of the Chest, Heart, Thymus Gland, Circulatory System and Lungs. The Energy Centre of Love.

Fifth Chakra: Throat Chakra

Musical Tone of G.

5. Throat Chakra.
Musical Tone "G" (Sol) 741Mh = 3
Color: Blue,
Element:Sound & Air.
Center of the Throat, Thyroid and Parathyroid Glands, and the Lymphatic System.
The Center of Communication, Expression and Creativity.

Sixth Chakra: Ajna, or Third Eye

Musical Tone of A.

6. Third Eye and Ajna Chakra.
Musical Tone "A" (La) 852Mh = 6
Color: Indigo,
Element: Light.
Between the Eyebrows and Center of the Head, Pituitary Gland and Endocrine Glands.
Control the other major chakras.
Center of Intuition.

Seventh Chakra: Crown Chakra, SAHASRARA

Musical Tone of B.

7. Crown Chakra.
Musical Tone "B" (Si) =9
Color: Violet,
Element: Ether & Thoughts. Crown or Top of the Head, Control the Brain and Pineal Gland,
The Center of Understanding, Ethereal Evolution and Enlightment.

All sounds together

The sound “Aum” represents the light and sound of all matter. Intoning the sacred sound of “Aum” help the charkas to expand and harmonize consciousness into Divine Oneness. It is an universal and powerful healing mantra that creates, gives life and movement to all that exists…

Aum

Further reading:
Ambient Techno Trance in the Solfeggio Frequency
The ancient Solfeggio
RA Music
Solfeggio MegaThread
Masaru Emoto - Messages from water
Masaru Emoto appears in what the bleep movie
An introduction of sacred Geometry
thanks to:
The Healing forces
I.H.M Research Institute

Related articles by Zemanta

• Successful Chakra Balance with Soundwaves, Food and Gemstones (healthlifestyleforever.com)
• Water Love (earthharmonyhome.com)
• Your Voice is a Powerful Sound Healing Device (earthharmonyhome.com)
• Beat The Stress WIth Music (m-y-health.blogspot.com)
• Harmonics and Healing Sounds (earthharmonyhome.com)

The Ancient Solfeggio ...forgotten in time

THE SOLFEGGIO FREQUENCIES

This ancient scale is part of a 6-tone sequence of electro-magnetic frequencies called the Original Solfeggio Scale. These particular frequencies were rediscovered by Dr. Joseph Puleo in 1974, during a wonderful experience that some would describe as mystical. These frequencies are not something new, but indeed something very ancient. We owe Dr. Puleo our sincere gratitude for rediscovering these frequencies and returning them to humanity.

The Six Solfeggio Frequencies include:
UT - 396 Hz – Liberating Guilt and Fear
RE - 417 Hz – Undoing Situations and Facilitating Change
MI - 528 Hz – Transformation and Miracles (DNA Repair)
FA - 639 Hz – Connecting/Relationships
SOL -741 Hz – Expression/Solutions
LA - 852 Hz – Awakening Intuition



These original sound frequencies were used in ancient Gregorian chants, including the great hymn to St. John the Baptist.
Church authorities reported that St. John’s hymn, along with many other chants, were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious Masses. Chants sung in Medieval Latin were believed to enhance the spiritual experience of the members. Many still believe that when we sing in Latin, or use simple musical tones without conceptual language, we are able to reach deeper levels of the subconscious. Pure music is very powerful since it discards limiting thought forms associated with words and allows the individual to access insights beyond traditional belief systems.

According to entries from Webster’s Dictionary and the original Apocrypha, these original frequencies are believed to be effective in; turning grief to joy, undoing situations and facilitating change, helping a person connect with Source to bring forth miracles, repairing DNA, connecting with spiritual family and understanding relationships, becoming more expressive to solve problem situations, and finally, awakening intuition to return to spiritual order. Through sound (including the Level I - Energy Vitality Technique) these tones can assist energy channels to stay open and keep the life force (Chi) flowing freely through the
chakra system.

Perhaps this smooth energy flow was the intent of the six electro-magnetic frequencies of the “lost” hymns and Gregorian chants. Vibration and sound can be used, like most things, with either positive or negative intention (see Section Four for more discussion of intention). Oftentimes, one’s intention is communicated through the use of language. History is filled with examples of societies being controlled or manipulated by those with less than honorable intentions. Various religious texts, including the Bible, discuss the importance of just making Sound - by chanting, singing, drumming, or speaking in tongues.
Each expression of sound is a way that people may access deeper levels of consciousness.

Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well)

1. In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi’s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other—such as 1:1, 1:2, 1:3 and so on.

2 The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration."

The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

crystal sound oscillator photos

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm

The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

Ambient techno trance in the Solfeggio frequency
Red Ice Creations special on the Solfeggio
For more on this please visit David Hulse, D.D. web site
More videos from the Ascension Series
Learn more about the 528 frequency
Crop circles
Music sacred Geometry and the Solfeggio

Related articles by Zemanta

• We Are Connected Through Sound (earthharmonyhome.com)
• Eavesdropping on Dolphins (sciam.com)
• Stephen Moss on the monks of Heiligenkreuz and their bestselling Gregorian chant music (guardian.co.uk)