The Ancient Solfeggio ...forgotten in time

THE SOLFEGGIO FREQUENCIES

This ancient scale is part of a 6-tone sequence of electro-magnetic frequencies called the Original Solfeggio Scale. These particular frequencies were rediscovered by Dr. Joseph Puleo in 1974, during a wonderful experience that some would describe as mystical. These frequencies are not something new, but indeed something very ancient. We owe Dr. Puleo our sincere gratitude for rediscovering these frequencies and returning them to humanity.

The Six Solfeggio Frequencies include:
UT - 396 Hz – Liberating Guilt and Fear
RE - 417 Hz – Undoing Situations and Facilitating Change
MI - 528 Hz – Transformation and Miracles (DNA Repair)
FA - 639 Hz – Connecting/Relationships
SOL -741 Hz – Expression/Solutions
LA - 852 Hz – Awakening Intuition



These original sound frequencies were used in ancient Gregorian chants, including the great hymn to St. John the Baptist.
Church authorities reported that St. John’s hymn, along with many other chants, were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious Masses. Chants sung in Medieval Latin were believed to enhance the spiritual experience of the members. Many still believe that when we sing in Latin, or use simple musical tones without conceptual language, we are able to reach deeper levels of the subconscious. Pure music is very powerful since it discards limiting thought forms associated with words and allows the individual to access insights beyond traditional belief systems.

According to entries from Webster’s Dictionary and the original Apocrypha, these original frequencies are believed to be effective in; turning grief to joy, undoing situations and facilitating change, helping a person connect with Source to bring forth miracles, repairing DNA, connecting with spiritual family and understanding relationships, becoming more expressive to solve problem situations, and finally, awakening intuition to return to spiritual order. Through sound (including the Level I - Energy Vitality Technique) these tones can assist energy channels to stay open and keep the life force (Chi) flowing freely through the
chakra system.

Perhaps this smooth energy flow was the intent of the six electro-magnetic frequencies of the “lost” hymns and Gregorian chants. Vibration and sound can be used, like most things, with either positive or negative intention (see Section Four for more discussion of intention). Oftentimes, one’s intention is communicated through the use of language. History is filled with examples of societies being controlled or manipulated by those with less than honorable intentions. Various religious texts, including the Bible, discuss the importance of just making Sound - by chanting, singing, drumming, or speaking in tongues.
Each expression of sound is a way that people may access deeper levels of consciousness.

Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well)

1. In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi’s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other—such as 1:1, 1:2, 1:3 and so on.

2 The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration."

The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

crystal sound oscillator photos

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm

The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

Ambient techno trance in the Solfeggio frequency
Red Ice Creations special on the Solfeggio
For more on this please visit David Hulse, D.D. web site
More videos from the Ascension Series
Learn more about the 528 frequency
Crop circles
Music sacred Geometry and the Solfeggio

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